I need advice regarding a band situation

A professional made it work well in the mix. That's it.

I've played bass most of my life and recorded tons. If you think that is a good bass tone, I'll just move along now. Nothing else to discuss. LOL

That's the entire point of recording a tone. To make it work well in a mix.
 
It's not like you didn't try to address the issue and help out. Sometimes you can't make people help themselves, so as a last resort before you dump him I suggest taking him to a music store and getting him to play a reasonably well setup bass there (it might open his eyes) and likewise jam along with a guitar. Maybe he's part of the problem too (fretting too hard, unintentionally bending strings, etc).
 
That's the entire point of recording a tone. To make it work well in a mix.
True. Good point. I didn't mean to say otherwise.

I'm trying to say that even a horrible bass track like that Pearl Jam track worked. It has parts that were out of time, lots of "sour" notes hit on that fretless bass, ridiculously bad tone, etc... Sounds like an amateur to me. I get you love it. I don't understand how, but you do and that's fine.

Given that... I think worrying about things like the guy using a phone to tune, instead of a dedicated tuner is silly. That is picking little things apart and sucking the fun out of it and ultimately doesn't make a difference.
 
I think that people who are inexperienced with band situations tend to be like "well it's so hard to find people to play with, I need to put up with some bullshit just to get things going, then i'll worry about that later"

And the reality, in an actual band situation, is that it's the opposite

You don't want to put up with any of that ego bullshit, because otherwise you aren't going to get anything done in the first place
Having more, or better gigs, usually lets you select from better, more serious players so there can be a fine line to run at times between just booking gigs and putting up with some crap so that the job gets done and $ flow vs refusing to deal with any nonsense at all in which case time to find a new line of work, lol. This idea of spending months rehearsing first isn't realistic either. A lot of "bands" do that. There has to be some actual $ work involved or you are usually left to sort through the bottom rung of quality unless you've already networked players with a unified plan of attack.

There was a time I had 40 different drummer's phone numbers on my cell just to make sure I could cover everything. The best ones were always booked, the trash was always wide open but usually I could get someone of reasonable quality. But to say I went through some real winners to assemble the band I have today is an understatement. I solved the drummer problem by convincing my brother to move here. I try not to dwell on the fact that a core member could get sick or die tomorrow and it will put me in a bind all over again. Also why networking is key. It's nice, critical actually, to have some other, reliable and quality contacts. Just some thoughts I guess.
 
True. Good point. I didn't mean to say otherwise.

I'm trying to say that even a horrible bass track like that Pearl Jam track worked. It has parts that were out of time, lots of "sour" notes hit on that fretless bass, ridiculously bad tone, etc... Sounds like an amateur to me. I get you love it. I don't understand how, but you do and that's fine.

Given that... I think worrying about things like the guy using a phone to tune, instead of a dedicated tuner is silly. That is picking little things apart and sucking the fun out of it and ultimately doesn't make a difference.

No, I actually hate pearl jam :hys: Like I literally cannot stand them, as a band

But when I listen to that bass tone, I hear it from an engineer's perspective, and everything about it is quite solid from that view

The sour notes are "passing" notes that provide the motion and groove to the song

From a technical perspective,, sure, it's a little wooly and midrangey, but that isn't necessarily a bad thing, it literally depends on the rest of the mix

The phone tuner, I don't really care as long as he's in tune, but that's the thing, if his intonation is literally a half step off, as OP said, that means when he plays an E on the seventh fret hes like 50 cents off of an E, and that is nowhere near acceptable
 
I have a good amount of experience recording and playing live and apparently, I have different opinions than everyone else... Just opinions! Not arguing!

1 - Many bass players don't change their strings often. Many actually prefer the sound of old bass strings. Not unusual.

2 - Many bass players don't play chords or above the 12th fret, so they don't even realize how intonation works. I don't think his intonation being off would be a huge deal unless he's playing chords or lots of lines up high.

3 - His phone tuner should be perfectly acceptable

4 - Trying to change his tone to make your guitar sound better is a little aggressive

5 - Go listen to some isolated bass tracks from professional recordings and you may be surprised. Here's a great example. Both the playing and tons is shit, yet it worked. Intonation is completely off, because it's fretless.



In a nutshell, I think you sucked the fun out of it by taking it entirely too seriously.

Thanks for that.

1. Strings weren’t a major issue.

2. He played a lot of lines up high, and as I mentioned he was half a step out by the 12th fret.

3. We’re talking about making a record and playing live, is he going to pull out his phone mid set? IME phone tuner hasn’t worked for me but once again not a major issue.

4. Where did I say I was trying to change his tone to make my guitar sound better?

I don’t agree with your observation. Two people agreed to take things more seriously not just me. I don’t think it’s asking too much to have your instrument working properly before you pour time and money into a new endeavour. Appreciate the input but that last take is rubbish.
 
Thanks for that.

1. Strings weren’t a major issue.

2. He played a lot of lines up high, and as I mentioned he was half a step out by the 12th fret.

3. We’re talking about making a record and playing live, is he going to pull out his phone mid set? IME phone tuner hasn’t worked for me but once again not a major issue.

4. Where did I say I was trying to change his tone to make my guitar sound better?

I don’t agree with your observation. Two people agreed to take things more seriously not just me. I don’t think it’s asking too much to have your instrument working properly before you pour time and money into a new endeavour. Appreciate the input but that last take is rubbish.
"..noticed the strings were cooked and the neck was all over the place. Sure enough he hasn't changed strings since he bought it 6 years ago and the intonation by the 12th fret was about half a step out, i had finally found why our recordings sound a bit off. I asked him to change his strings and service his bass before we record..."

"...Other things to note is he's been using his phone to tune this whole time, i've asked if he could buy a proper tuner..."

"...He also likes to pump his midrange to where i struggle to hear myself in the mix, once again when i ask if he can tweak stuff a bit to try..."

Sorry. I guess I misunderstood every point in your post?

What has he been doing for a tuner live for the last year in the cover band?
 
"..noticed the strings were cooked and the neck was all over the place. Sure enough he hasn't changed strings since he bought it 6 years ago and the intonation by the 12th fret was about half a step out, i had finally found why our recordings sound a bit off. I asked him to change his strings and service his bass before we record..."

"...Other things to note is he's been using his phone to tune this whole time, i've asked if he could buy a proper tuner..."

"...He also likes to pump his midrange to where i struggle to hear myself in the mix, once again when i ask if he can tweak stuff a bit to try..."

Sorry. I guess I misunderstood every point in your post?

What has he been doing for a tuner live for the last year in the cover band?
Our recordings were out of tune. Intonation was the main issue. Strings, tuner etc were minor.

I don’t get the harm in saying let’s try EQ both amps differently so they sit in the mix better.

I think you have misunderstood a bit but I could of communicated the post better.

That question has been answered.
 
I actually completely agree with intonation. I have a sensitive ear to that, but I thought you were maybe being dramatic. LOL

He thinks the other things are just you picking him apart and that's how it would come across to me too.

Either way, good luck in your future endeavors. Off to a gig now.
 
He has to use his phone to tune because Trump's tarrifs are keeping tuner parts in the One Hung Lo factory. Additionally, he can't get strings because of Biden's "Uranium in Uranus" policy which affected all mining efforts...(add point)

All joking aside, it sucks when band members take things the wrong way when someone is trying to help. Tuning with a phone is caveman like in my opinion. Get a damn tuner for crying out loud. It is crazy that he doesn't want to sound his best and have the strings changed and neck setup, etc.

If you like the guy, maybe offer to take his bass to setup or split it with him. If he is getting too much, I'd say do the bass yourself or get someone else to do it. If he is getting upset about this stuff, it is going to get worse when you do shows or have other things pop up.
 
Move on. Quickly.
That guy is what we musicians call a FLAKE. There are a lot of them.
If you want to put together a band, get ready to wade through a bunch of 'em...
 
Guy is a complete waste of time. Do your cover band deal and ghost him beyond that. Let him figure out why you moved on. Find different players.


This is why I don't have a band anymore, it's just my project done my way and if you don't like it, goodbye. If I want your feedback I'll ask for it and that won't happen until I respect you on a musical, and personal, level. This way when I have some d-bag who is a problem child he doesn't torpedo my whole project when he walks or gets canned. He's just the help.
Hi Dave Mustaine
 
Long story short - Joined a band a year ago playing covers, the bass player and i wanted to eventually do originals so we peeled off together about 6 months ago. During that time we've come up with a bunch of material which i love with the shared goal of recording an EP.

When we recorded ourselves something was off but i couldn't put my finger on it. About a month ago i played around on his bass and noticed the strings were cooked and the neck was all over the place. Sure enough he hasn't changed strings since he bought it 6 years ago and the intonation by the 12th fret was about half a step out, i had finally found why our recordings sound a bit off. I asked him to change his strings and service his bass before we record, stressing the importance of both instruments being in tune with each other. I even showed him on my tuner how badly intonated his bass was. He's taken this personally and feels as though i'm attacking his playing or musicianship in some way as well as putting pressure on him to spend money, i've stressed this isn't the case. He's now gone cold on the whole EP idea and wants to play casually. Am i being unreasonable here? I'm an amateur so if anybody with a bit more experience can weigh in that would be greatly appreciated.

Other things to note is he's been using his phone to tune this whole time, i've asked if he could buy a proper tuner or at least tune from my tuner and i can tell it doesn't go down well. He also likes to pump his midrange to where i struggle to hear myself in the mix, once again when i ask if he can tweak stuff a bit to try, it doesn't go down well.

Give me some wisdom please, extra brownie points if we can turn this into a political thread.
Fuck that dweeb
 
Forgive me, but up until like 5 years ago, I had no idea how important a good setup was and I've been playing since like '95 or so. It's possible the guy is clueless and therefore defensive.
Good luck, but if you two jive creatively, I'd try and figure out how to get the info to him in some other, more creative way.

"Oh man, this action is so high, I'm surprised you can play as well as you do.

This type of crap NEVER gets better.
Truth!
 
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To the original poster, I think it is good to ask people here on the forum about this type of stuff because most of is have been in bands and it can be challenging. With that you'll get responses about him or about how might be, etc and nothing wrong with that. It is good to get different viewpoints.

At the end of the day it comes down to commitment and how important this is to you and how he acts. I was in a band with a friend years ago and he didn't want to do any cover songs, only originals. We hadn't written any originals and so a few of us suggested we do covers until we build up songs. We all went hone and came up with songs we wanted to cover. The drummer, bassist and I had lots of about 10 songs. His list was like 150. He did it to be passive aggressive and as expected he basically ended the group. It helps to have folks on the same page in a band.
 
To the original poster, I think it is good to ask people here on the forum about this type of stuff because most of is have been in bands and it can be challenging. With that you'll get responses about him or about how might be, etc and nothing wrong with that. It is good to get different viewpoints.

At the end of the day it comes down to commitment and how important this is to you and how he acts. I was in a band with a friend years ago and he didn't want to do any cover songs, only originals. We hadn't written any originals and so a few of us suggested we do covers until we build up songs. We all went hone and came up with songs we wanted to cover. The drummer, bassist and I had lots of about 10 songs. His list was like 150. He did it to be passive aggressive and as expected he basically ended the group. It helps to have folks on the same page in a band.
In response to him i said lets call off the EP, happy to still play casually like he mentioned. Next thing you know he's done a complete 180 and changed his whole character and blocked my number lolol. Moral of the story is always listen to random strangers on the internet.

And to point out how much of a comedian the universe is, the next day i see Opeth on a PRS ad talking about intonation and how PRS intonate so well on recordings. I'm pretty sure Opeth was his favourite band.
 
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