Most Dissappointing Piece of Gear You've Ever Bought?

  • Thread starter Thread starter ThePizzaGuy
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kurtsstuff":3hcq6fmn said:
anything Splawn

oh kurt....you just had to go there!

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bigdaddyd":1u4knbkb said:
glpg80":1u4knbkb said:
Ibanez JEM VWH 2007 purchased new. Guitar sounded like straight up ass - just dead wood. Nothing a pickup change could do. $1800 for a production guitar is also fucking stupid. I should have saved a bit more and went for a J-Custom. Never again - i will stick with the used market on top dollar Ibanez's.

That's so funny. I have one of these, although I don't know the year. It sounds and plays amazing. That said it sounds completely different through my Rivera KHR than it does through my Rivera Duarte. It sounds great through both, but maybe you got a bad one....maybe you did get dead wood...lol. I do agree though, they now are $2800 in musicians friend and that is fucking ridiculous, however, I feel that way about pretty much any guitar.

I feel the same way about the JEMs. I had (a new) one about 5 years ago and I really didn't see where the jacked up price came from. I'd take an old RG550 at a fraction of the price. I have to admit it was a great sounding guitar though, in that aspect it was a winner.
 
Mesa Lonestar classic. Could not get a usable rhythm tone out of the thing.
 
All Carvin guitars I've owned. Build quality is top notch, but they messed up 3 out of 3 guitars regarding something major (wrong body wood, wrong fretboard material, etc...). None of the guitars had that mojo. All felt stiff and sounded crappy. I've gone through 2 7 strings and a Bolt plus.
 
Motorpud":17mccwfr said:
bigdaddyd":17mccwfr said:
glpg80":17mccwfr said:
Ibanez JEM VWH 2007 purchased new. Guitar sounded like straight up ass - just dead wood. Nothing a pickup change could do. $1800 for a production guitar is also fucking stupid. I should have saved a bit more and went for a J-Custom. Never again - i will stick with the used market on top dollar Ibanez's.

That's so funny. I have one of these, although I don't know the year. It sounds and plays amazing. That said it sounds completely different through my Rivera KHR than it does through my Rivera Duarte. It sounds great through both, but maybe you got a bad one....maybe you did get dead wood...lol. I do agree though, they now are $2800 in musicians friend and that is fucking ridiculous, however, I feel that way about pretty much any guitar.

I feel the same way about the JEMs. I had (a new) one about 5 years ago and I really didn't see where the jacked up price came from. I'd take an old RG550 at a fraction of the price. I have to admit it was a great sounding guitar though, in that aspect it was a winner.

Yeah i made payments on it for 8 months but never got the chance to take it home through my own setup. It did play great, but that was it - sounded very thin and lifeless through my setup. At the time i had my purple wolfgang - never thought basswood would sound more ballsy than alder but it did. The guitar was a dud through and through, nothing you can do about that. Lesson learned - i never try a guitar out through a setup that is not very similar to mine, and i never again will purchase another new production model instrument.
 
Peavey 5150. Not a bad piece of kit, but it does 1 thing, and it's not what I wanted from an amp. The EQ seemed to do nothing at all. You get a scratchy and unusable clean, and a very full, tight metal distortion. It's got not guts or grunt. Just super tightly compressed chugs, which I don't want. A good amp I'm sure for metal/HC players, but I didn't want something so tight and limited.

Devi Ever Rocket Fuzz. Pretty fun for dicking about with at bedroom volumes. Completely unusable at jam/gig volumes. Uncontrollable. No way of dialling in any sort of level of gain or EQ. You get what you're given, and it's just way too abrasive and wild, whilst also being quite transparent and no presence whatsoever.

And agree with the TSL being garbage, but I never bought one, though it was very close to being my first valve amp purchase. I went for the DSL instead which despite being part of the same range is somehow infinitely better. Still a bit harsh though, but I had it modded to cut out the ear-shattering top end. Sounded wonderful after that.
 
Heritage Softail":7ihudnjj said:
Ex wife.

The bottom end was loose. The top end had a constant screech. Took a huge loss getting rid of it...


I just spit coffee over laptop :lol: :LOL:
 
glassjaw7":25un40f9 said:
Fluff, do you really find the Reborn recto that much better than the standard 3-channel? :confused: I thought there was hardly a difference. I A/B'd them through the same cab with the same settings and seriously could hardly tell the dif...

Yeah there is a difference. My high problem with the older ones was complete lack of presence. Just muffled. The ReBorn sounds good........if it has an overdrive in front. I am really toying with the idea of getting rid of it to be honest. I was just sent a DV Mark Triple 6 and it's honestly one of the best amps I have ever heard. :doh:
 
Oh, I almost forgot the Marshall Shredmaster. Wanted one for years. Managed to pick one up at a good price. A good quality pedal, but I expected more from it. I'd say more underwhelming than disappointing. You can get practically a carbon copy of the Master of Puppets scooped tone. That's pretty fun, but I couldn't find a tone I would want to use when used with a few different amps. Didn't respond well to an already driven amp. Only seemed to work on a sparkly clean channel.
 
1984 JCM 800 combo. I can't remember the model number, but it was a 1x12 combo version of the 2205 head

I had a nice sounding 2205 head, and I wanted a combo version...this thing just sounded horrible. the tones were pretty much useless...just a really weak and fizzy sounding amp, even plugged into a 4x12.

I heard that they changed a few times during the 80's, and this was one of the first ones, so that might be the reason it sounded the way it did.
 
Loads of Marshalls in the list. Mine would be the Tech 21 killer wail wah pedal, absolute rubbish.
 
Mesa F-50. While I eventually learned to like the clean with pedals, the drive was terrible to me with an eq that barely worked. Had the eq had more shaping, I would of probably liked it. It was better with an extension cab but as a combo it sucked to me
 
londaxe":3480947w said:
1984 JCM 800 combo. I can't remember the model number, but it was a 1x12 combo version of the 2205 head

I had a nice sounding 2205 head, and I wanted a combo version...this thing just sounded horrible. the tones were pretty much useless...just a really weak and fizzy sounding amp, even plugged into a 4x12.

I heard that they changed a few times during the 80's, and this was one of the first ones, so that might be the reason it sounded the way it did.

It was probably the speaker in the JCM800 combo, many came with a Celestion G12M70, a speaker which I personally really dislike.
 
fluff191":5xesvwh2 said:
glassjaw7":5xesvwh2 said:
Fluff, do you really find the Reborn recto that much better than the standard 3-channel? :confused: I thought there was hardly a difference. I A/B'd them through the same cab with the same settings and seriously could hardly tell the dif...

Yeah there is a difference. My high problem with the older ones was complete lack of presence. Just muffled. The ReBorn sounds good........if it has an overdrive in front. I am really toying with the idea of getting rid of it to be honest. I was just sent a DV Mark Triple 6 and it's honestly one of the best amps I have ever heard. :doh:

I think the presence taper is different between ch 2&3 on the older 3 channels where it seems the same on the reborns. Other than that, I thought they were very similar. I've heard good things about the DV Mark amps!

Oh, and I'm gonna add the Hendrix crybaby to my list of disappointments. I had the older model about 13 years ago or so, and it was awful! No sweep range to speak of and not expressive in the least. It was tubby sounding and you couldn't even tell it was on during higher passages because the effect was so subtle.
 
rupe":du9h06vh said:
Klon Centaur. I didn't dislike it, but it wasn't any better than a dozen or so other boost/OD pedals available at the time (mid-90's). It definitely doesn't deserve the hype around it...not sure how that even happened?

...and I just seen two of these for sale.
One beat up for $800
Another in a silver box,no horse logo for $900.00 :confused:
 
Custom Guitar Builder I Will Not Name Here.
I expected so much considering the $$$$ but it was sooo bad.... I literally cried. Spent hundreds upon hundreds making it good enough to sell with a clean conscience. Sold at a huge loss.
 
vader cabs

sound great with a 5150/XXX

sound like shit with anything else
 
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