Come at me bro...

The 24 3/4" scale and 12" radius are a great combination.

@VonBonfire Tell me more about what you notice in the sound between the 335 and LP?
 
I wouldn’t argue against the hypothesis, but I’m biased and could be happy having an LP as my only guitar. In my wannabe guitar hero days (never lived up to the dream), super strata were all I cared about. I still love my EC-29, but would gladly offload for an historic Lemon Burst…
 
Its a flying v. It does everything from blues to metal. It's the one you want.

I've had a few discussions on this with the guys here and for me, the Gibson V is awesome to play seated and standing. I do have some issues and that may play into this opinion, but when I play seated with a non V guitar, I have to hunch over a bit. My V is my go to seated guitar now. That was a great excuse to buy one to the wife BTW!

A little inside leg pressure and the V stays put when seated, allowing you to be hands free. Prevents neck dive also. A little strum hand forearm puts the weight of the neck, right where you want it.
 
The 24 3/4" scale and 12" radius are a great combination.

@VonBonfire Tell me more about what you notice in the sound between the 335 and LP?
More air to the sound of 335 which seems to make sense since it is partly hollow. Less bass than an LP and a little less sustain though a good 335 is pretty close. Plugged straight in to a twin I would dial the amp in exactly the same as you can't really refine it any more without an EQ pedal. IMO a Paul makes a little better hard rock machine and the 335 is a little better blues guitar but they are both pretty killer, hence the thread. I could easily gig with a good LP for the rest of my life and be pretty happy.
 
More air to the sound of 335 which seems to make sense since it is partly hollow. Less bass than an LP and a little less sustain though a good 335 is pretty close. Plugged straight in to a twin I would dial the amp in exactly the same as you can't really refine it any more without an EQ pedal. IMO a Paul makes a little better hard rock machine and the 335 is a little better blues guitar but they are both pretty killer, hence the thread. I could easily gig with a good LP for the rest of my life and be pretty happy.
You need to try a Luccile.
 
You need to try a Luccile.
I like having the holes in the guitar and the Lucille's are usually on the heavier side of the ES range. I can deal with a heavy guitar but if all other things are equal between two guitars I'm reaching for the lighter axe.
 
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I like having the holes in the guitar and the Lucille's are usually on the heavier side of the ES range. I can deal with a heavy guitar but if all other things are equal between two guitars I'm reaching for the lighter axe.
Well, the Lucille is the best of both worlds IMO.

It bridges that gap between the LP and 335.

Also the chicken head selector switch is pretty handy for different toans.

I bet if you play one, you will want one.
 
Well, the Lucille is the best of both worlds IMO.

It bridges that gap between the LP and 335.

Also the chicken head selector switch is pretty handy for different toans.

I bet if you play one, you will want one.
You have an interesting point. A bit chunkier weight and low end. I had an aftermarket varitone installed in an ES333. I found I could get most of the tones it offers just by blending pickups and playing with the tone controls so I never really used it much. I know a guy locally who has one of the 335 studios from the 90's....basically a Lucille body with an ebony board and dots. It's heavier and sounds a bit more like an LP....

The open f-holes allow for easier feedback which works out well for me. If I had a Lucille right now it'd probably sit in a case most of the time cause my 335 smokes. :yes:
 
You have an interesting point. A bit chunkier weight and low end. I had an aftermarket varitone installed in an ES333. I found I could get most of the tones it offers just by blending pickups and playing with the tone controls so I never really used it much. I know a guy locally who has one of the 335 studios from the 90's....basically a Lucille body with an ebony board and dots. It's heavier and sounds a bit more like an LP....

The open f-holes allow for easier feedback which works out well for me. If I had a Lucille right now it'd probably sit in a case most of the time cause my 335 smokes. :yes:
It does depend on what you play. The Lucille will handle distortion much better. I have a close friend that has one and he plays all kinds of music with it.

He's been playing for about 60 years now, and it's his main guitar.
 
It does depend on what you play. The Lucille will handle distortion much better. I have a close friend that has one and he plays all kinds of music with it.

He's been playing for about 60 years now, and it's his main guitar.
I'm not sure if they are still equipping the Lucille's with 490's but I've had good experiences with the 490r in ES and LP style axes both. It's a good pickup for more affordable than some of the other Gibsons. If I showed up to a gig with a Lucille people would be demanding I played The Thrill is Gone and I don't do that one cause everyone else who plays blues does it for me kinda like if I had a strat idiots would be demanding Little Wing. Screw that. :LOL:
 
I'm not sure if they are still equipping the Lucille's with 490's but I've had good experiences with the 490r in ES and LP style axes both. It's a good pickup for more affordable than some of the other Gibsons. If I showed up to a gig with a Lucille people would be demanding I played The Thrill is Gone and I don't do that one cause everyone else who plays blues does it for me kinda like if I had a strat idiots would be demanding Little Wing. Screw that. :LOL:
I don't even know if you can buy the Lucille anymore. When my bud bought his back in 96 it was about $2500.

I could never be a gigging player, I wouldn't give a fuck what the crowd wants to hear. Derka derka
 
Sweet baby Jesus ........

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I could never be a gigging player, I wouldn't give a fuck what the crowd wants to hear. Derka derka
I'm a gigging player and don't give a crap what the crowd wants to hear. :LOL:

The more you cater to them the more they are disappointed when you are unable or unwilling to cater to them further which results in a net negative. Maybe if I was just doing classic rock covers and stuff I would but I'm playing what I want to play cause I'm the one doing the work. If that makes me selfish I'm ok with that because everyone else runs their business the way they want to. I turn down $100 tips for Little Wing cause that's only $20/man. I'd rather not have to play it than have $20.
 
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I'm a gigging player and don't give a crap what the crowd wants to hear. :LOL:

The more you cater to them the more they are disappointed when you are unable or unwilling to cater to them further which results in a net negative. Maybe if I was just doing classic rock covers and stuff I would but I'm playing what I want to play cause I'm the one doing the work. If that makes me selfish I'm ok with that because everyone else runs their business the way they want to. I turn down $100 tips for Little Wing cause that's only $20/man. I'd rather not have to play it than have $20.
First person to yell Freebird gets a bottle upside the head.
 
I'm a gigging player and don't give a crap what the crowd wants to hear. :LOL:

The more you cater to them the more they are disappointed when you are unable or unwilling to cater to them further which results in a net negative. Maybe if I was just doing classic rock covers and stuff I would but I'm playing what I want to play cause I'm the one doing the work. If that makes me selfish I'm ok with that because everyone else runs their business the way they want to. I turn down $100 tips for Little Wing cause that's only $20/man. I'd rather not have to play it than have $20.

That's a decision every musician has to make at some point :dunno: most people have done both to some extent, but there's no denying it's like two entirely different musical universes

IME playing originals is like doing the music thing on maximum difficulty level, but with maximum satisfaction

Playing covers is far more profitable, and far easier, but doesn't feel as rewarding

They both have pros and cons but the key is that they are very, very different things and experiences that don't overlap a ton
 
That's a decision every musician has to make at some point :dunno: most people have done both to some extent, but there's no denying it's like two entirely different musical universes

IME playing originals is like doing the music thing on maximum difficulty level, but with maximum satisfaction

Playing covers is far more profitable, and far easier, but doesn't feel as rewarding

They both have pros and cons but the key is that they are very, very different things and experiences that don't overlap a ton
I think a tasteful mix of both like VH did works.
 
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