xzyryabx":1n3e7bns said:
3) emo core bands (in this case namely Periphery and that Misha guy) that want to be unique pick up one of his instruments and say they are the be-all-and-end-all of guitars (for this month/year)
4) hype is created
5) fan-boys, especially on SSO (many of whom believe tone-woods concept is a myth) go head over heels for them
6) hype goes crazy
.
Pretty much this
I've played a bunch of black machines and they are killer guitars.
I was thinking about picking up one years ago before the price went thru the roof. (insanity)
If you look at the guys playing on them some are only using one string and a few frets lmao
I swear there is profits to be made if you know how to market to guitar players (especially in the high price range and giving a feeling they are being exclusive)
I saw a thread on SSO recently where some guy bought a custom and literally got raped in the quality when a $800 ESP LTD would have probably done the same job if not killed it in this case.
Here is another example
http://www.sevenstring.org/forum/sevens ... y-7-a.html
The combination of Swamp Ash and Tasmanian Blackwood as well as the body chambering meant that this guitar was really resonant.
Seriously how the fuck would he know what that wood combo would sound like!?!? Is he some kinda of wood connoisseur!!?
These djent guys are the kings for using all sorts of woods that have never been used before in a guitar, but seem to be experts on knowing why it makes them sound that way.
They love to use crap like "oh it has very defined yet aggressive mids and a rounded but not flabby bottom end" lmao